Correspondence is a sculpture series using industrial sugar processed towards the stage of Hard Crack – a transition state in the caramelization process of sugar where the solution reaches its lowest point in the concentration of water, exactly 0,01 percent. It is the moment when sugar can be both – highly dangerous and extremely beautiful – an entropic existence, fugitive and fading, which tells us energy is more easily lost than contained. Correspondence offspring a world of indeterminate possibilities concertinaed by incomprehensible desires. In this space of unveiling, palpable emotions and experiences, the objects cease to exist. Forever shifting, sliding, slipping. Actions that have no end, processes of no return, leaving behind a porous and empty body. Space can be approached, but time is far away.
The work was included in the Future Material Bank of the Jan van Eyck Academy in 2022.
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Correspondence (algae), 2022 Sucrose, Sage, Spiirulina 35 x 12 x 14 cm
Correspondence, 3/4, 2021 (blue) Phthalocyanine Blue BN CuPc, Sucrose C12H22O11 68 x 76 x 12 cm (left), 43 x 28 x 10 cm (middle), 86 x 74 x 11 cm (right) Installation view at APT Gallery, London
Correspondence, 3/4, 2021 (blue) Phthalocyanine Blue BN CuPc, Sucrose C12H22O11 68 x 76 x 12 cm (left), 43 x 28 x 10 cm (middle), 86 x 74 x 11 cm (right) +
44/0/45/0 to 99/93/84/99 C-Print matt on Fuji Crystal Archive Paper 160 x 120 cm Installation view at APT Gallery, London with works by Luke Tomlinson (left) and Gabriella Giroletti (middle)
Correspondence 2/4, 2021 (red) Betanin C24H26N2O13, Sucrose C12H22O11, Paraffin CnH2n+2 115 x 86 x 8 cm
Correspondence 1/4, 2021 (yellow) Sucrose C12H22O11 83 x 82 x 5 cm
Correspondence 4/4, 2021 (green) Phthalocyanine Green, Sucrose C12H22O11 121 x 152 x 9 cm
